Search

band annie's Weblog

I have a parallel blog in French at http://anniebannie.net

Author

bandannie

FREEDOM FLOTILLA II : PRESS STATEMENT

Sunday, 4 September 2011

For immediate release

 

Palmer/Uribe Report Whitewashes Israeli Crimes

 

Sadly the Palmer/Uribe Report on the 31 May 2010 Flotilla Incident, leaked to the New York Times on 1 September, is an expected whitewash of Israeli crimes. While it blames Israeli forces for using excessive force when they raided our Gaza-bound civilian ships, it erroneously justifies Israel’s blockade of Gaza, casts doubts on the intentions of the flotilla organizers, and does not seek accountability for perpetrators of human rights abuses.

The Palmer/Uribe Panel was flawed from its inception. The appointment of ex-Colombian President Alvaro Uribe as the Panel’s vice-chair casts serious doubt on the integrity and impartiality of the Panel. Uribe’s intimate association with the military and paramilitary practice of murdering civilians in Colombia and notorious disdain for human rights defenders makes his appointment to a Panel dealing with human rights issues problematic. Furthermore, Uribe’s government is on record as advocating closer military cooperation with Israel. [1]

In addition to the problems in the composition of the Panel, its goal was not to arrive at the truth of what happened or to seek justice for victims, but rather to reach political compromise in order to repair relations between Israel and Turkey. The mandate of the Panel was limited to reviewing the reports of the national investigations by Turkey and Israel, and it did not interview witnesses or otherwise conduct an in-depth objective investigation. This is a political attempt to overshadow the only independent and impartial investigation and report on the flotilla raid, which was commissioned by the UN Human Rights Council (A/HRC/15/21) and conducted by three internationally renowned human rights experts. The findings and recommendations of this report, released on 23 September 2010 have yet to be acted on by the United Nations.

One of the most outrageous findings of this Panel is that Israel had a right to impose the naval blockade on Gaza as a “legitimate security measure.” This finding completely ignores the fact that the naval blockade is part of an overall closure regime that numerous human rights bodies, including various UN agencies, have declared illegal. Furthermore, it ignores incontrovertible evidence that the naval blockade and overall closure are not about security, but rather about putting pressure on the people of Gaza. Israeli leaders are on record noting that the purpose of the blockade is economic warfare – to keep the Gaza economy on the brink of collapse in order to pressure the civilians to rise up against the Hamas government. [2]

Using civilians as a means of pressuring a government violates international humanitarian law, which prohibits intentionally harming civilians, and constitutes collective punishment, forbidden under the Fourth Geneva Convention.

The Palmer/Uribe Report mistakenly identifies IHH as the “leading group involved in the planning of the flotilla,” accuses us (the Freedom Flotilla organizers) of acting recklessly, and casts doubt on the humanitarian nature of our action (pages 46-48). Six non-governmental, international civil society organizations, all having equal say and responsibility, planned Freedom Flotilla I. Our action was a legitimate form of nonviolent direct action. We reject the Panel’s finding that Israeli soldiers faced “organized violence.” What the heavily armed commandos faced while they tried to forcefully take over the Mavi Marmara on the high seas was legitimate acts of non-armed self-defense by a handful of passengers, acting against unwarranted aggression.

Although our ships carried 10,000 tons of much needed cargo for the people of Gaza, we have repeatedly stated that our goal is to break the illegal blockade of Gaza, not simply to deliver aid. The humanitarian crisis that exists in Gaza is a result of a deliberate, illegal and immoral policy. To challenge that policy in order to bring an end to the cause of people’s suffering is humanitarian.

While the Report correctly faults Israel for using excessive force on unarmed civilians, it does not call for accountability. The Report notes that Israel has not accounted for the forensic evidence showing that most of the nine volunteers killed were shot multiple times, including in the back, or at close range, or for the consistent accounts of abuse suffered by other volunteers at the hands of Israeli forces. The Report’s recommendation that Israel simply express regret over the incident is insulting to the victims and their families, and seriously undermines international human rights and humanitarian law.

Finally the report fails to address the issue of the remaining four ships of Freedom Flotilla I still held by Israel as well as its refusal to return to the passengers over $1 million in money and equipment including cameras and videos which are of evidential value.

We welcome Turkey’s decision to downgrade relations with Israel, expelling the Israeli ambassador, and cancelling military ties, as well as its statement that it will take legal action against those Israelis responsible for the attack on the flotilla. Such sanctions are needed in order to put an end to the impunity with which Israel has been violating Palestinian human rights and disregarding international law.

###

Free Gaza Movement contact:

Huwaida Arraf +970-598-336-215, huwaida.arraf[at]gmail.com
Greta Berlin +1 310 422 7242, iristulip[at]gmail.com
Audrey Bomse +44 (0)78615610932, audreybomse[at[gmail.com

www.freegaza.org

www.witnessgaza.com

www.freedomflotilla.eu

[1] See “Colombia seeks to broaden Israel ties,” Apr 28, 2010, Jerusalem Post at: http://www.jpost.com/International/Article.aspx?ID=174179
2 See e.g. “Wikileaks: Israel aimed to keep Gaza economy on brink of collapse,” Jan 5, 2011, Haaretz, reporting on a leaked Cable from the U.S. Embassy in Tel Aviv saying Israeli officials wanted Gaza’s economy ‘functioning at the lowest level possible consistent with avoiding a humanitarian crisis’ at:
http://www.haaretz.com/news/diplomacy-defense/wikileaks-israel-aimed-to-keep-gaza-economy-on-brink-of-collapse-1.335354

—
Greta Berlin

(Repeat) Ibrahim Qashoush

This is the musician referred to in the previous post; the song made him very famous and he was murdered – his vocal chords pulled out say some – soon after by the notorious shahiba

Literature of Syrian Revolution Figures new on FB

These words are didecated to Abraham Al-Qashowsh soul… هذه الكلمات لروح ابراهيم القاشوش

par Literature of Syrian Revolution Figures, vendredi 26 août 2011, 15:33

ويقال بأن النايات نبتت على أطراف النهر كلما هبت ريحٌ حرّة ترددت هتافاتُ إبراهيم, وصار العاصي يسير في كل اتجاه… حنجرةٌ في العاصي تعمّدت, صدحت في دير الفرات, ناعورةٌ أنّت في حماه , رشقت ماء نواحها في وجه الشام, يُعتقل القمر في القيمرية, فتضحك حلاوةُ الروح في حمص, وتطير ليال حرّةً فوق حوران

بقلم: نسرين طرابلسي

كاتبة وإعلامية سورية

Flutes springs on Orontes banks whenever free wind blows reiterating Abraham Al-Qashowsh* song making the Orontes travel everywhere…

Al-Qashowsh, throat has been baptized from Orontes River to become a waterwheel, singing songs of freedom to Ephrata, and spouting its pained water at Damascus face where free people to be arrested for screaming words of  freedom; words make souls smile in Homs and hover free over Horan**…

Good clip on the Syrian Revolution

[youtube http://youtu.be/ks9DcTR9C4s?]

As Turkey Freezes Israel Ties, Critics Decry “Whitewashed” U.N. Report on Gaza Flotilla, Blockade

click on image
Amy Goodman

Not Mightier than Ali Farzat’s Pen

The physical attack on Syrian Cartoonist Ali Farzat last week was an important moment in the history of the Syrian uprising. Farzat is not any cartoonist: He is probably one of the most gifted contemporary cartoonists in the Arab world and beyond. Farzat has always reminded me of Michel Foucault: Both study power not in its centralization or as a formal structure but in its diffusion and emanations.

 

Farzat studies and mocks power in all aspects of our lives. People who think that Farzat attacks only the state or government have not seen his work. One of his most memorable works is a sketch of a man behind bars. But the bars are broken and the man does not leap to freedom. Farzat uses a few strokes and few words: yet the message is powerful and unmistakable. Farzat has worked for Kuwaiti newspapers and his mockery of Saddam’s regime were widely circulated although he was criticized by Syrian regime media, and even accused of “preparing” for the American invasion of Iraq.
Politically speaking, Farzat belongs to the liberal wing of the Syrian uprising: a wing that I have never been fond off. But the talent of Farzat is undeniable, and the cruelty of the attack on him by regime goons is also unmistakable. Farzat’s story was told by Sami Kulayb in a special episode of Aljazeerah Arabic TV show Ziyarah Khassah.

Farzat’s work was largely banned in Syria until he met Bashar Assad in 1999 and the two befriended each other. His cartoons started to appear in Tishrin (a daily mouthpiece of the regime) but the security apparatus and the ministers could not put up with his sarcasm and mockery.

The same newspaper later verbally attacked him and tried to implicate him with the worst conspiracies of Zionism. They called him conceited and arrogant, as if that diminishes his artistic talent.
Farzat was encouraged by the Bashar regime to publish one of the first independent publications during the short-lived Damascus Spring, a brief period of political and social debate encouraged by Assad the son when he assumed the presidency in 2000. I remember that I was eager to obtain the few available copies of Dumari: it was a satirical publication modeled after similar French publications. It was not sharp or effective or original, but it had the work of Farzat. Supporters of the regime spread rumors about him and point out some political positions he has taken (included some statements that were attributed to him in which he seemed to justify the American invasion of Iraq).
But the fact remains: Farzat’s work is most original. Unlike the work of Lebanese cartoonist, Pierre Sadiq (formerly of An-Nahar newspaper), Farzat is never direct or vulgar or obvious. He is deep in an art form that rarely knows depth. It can be said that Farzat’s work is dedicated to the demolishment of the dictator’s persona, and to the ways in which media are used to the benefit of the dictator.

 

The picture of Farzat in his hospital bed will live and will be seen as one of those moments in revolutionary times (maybe like “The Death of Marat” by Jean-Louis David for the French Revolution). That the attackers targeted his fingers indicates how powerful those fingers are. It is possible that the regime is settling scores: there are no talents to speak of on the side of the regime (singers `Ali Ad-Dik or Muhammad Iskandar, the notorious Lebanese misogynistic singer, are on the side of the regime), while Farzat and the splendid singer, Asalah, represent the Syrian uprising. Years from now, people will still be talking about the art work of `Ali Farzat, while the Baath Party will be relegated to the footnotes of Syrian history.

source

The Attorney General of Hama announcing his resignation ( translated )

PALESTINE PAPERS

[youtube http://youtu.be/cf8md1-2fpA?]

Al-Assad goes digital as attacks turn to ridicule

Some explaining about the three humouristic clips

By Weedah Hamzah Sep 1, 2011, 5:01 GMT

Damascus/Beirut – Facing domestic turmoil, Syrian President Bashar al-Assad calls his ally, Iranian President Mahmoud Ahmadinejad. One quick conversation later, the Iranians are preparing a special rocket for al-Assad to use against protesters.

Cue the … humour?

Syrian activists have unleashed a new weapon in their attempts to dislodge al-Assad from power: ridicule. That comes in the form of a series of new cartoons – some viewable on YouTube, under the name Wikisham.

‘Ridiculing Syrian president Bashar al-Assad and his regime, is a new way for promoting our revolution,’ Rami Nakhle, a Syrian activist who lives in Lebanon, told the German Press Agency dpa.

WikiSham, (Sham in Arabic means Damascus) consists mainly of satirical mocking of al-Assad; his brother Maher, head of the military arm of the regime; and his cousin Rami Makhlouf, a well-known Syrian business tycoon.

The goal is for the cartoons to prompt more Syrians to join the fight for change – since mid-March more than 2,000 have died in crackdowns on the pro-democracy protest movement, report human rights groups – and hopefully end the regime.

‘Revolutionaries around the globe resort to cartoons because they condense an overall theme that may be complicated in reality and also to increase their supporters as well as encourage people to enroll in their ranks,’ Hala Raad, a Lebanese psychologist told dpa.

The characters are digitally animated, speaking in colloquial Arabic. There are no subtitles in other languages.

The cartoons do not spare Syria’s main backers, such as Ahmadinejad and Ayatollah Ali Khamenei, supreme guide of the Iranian revolution.

They also try to depict what protesters say is happening behind the scene.

Since the Syrian uprising started, activists have accused Iran and its allies in Lebanon, Hezbollah, of helping out the Syrian security forces in crackdowns.

‘The ideas reflect the real facts and how the regime deals with the issues of the people who are calling for their freedom and rights,’ said Nakhle.

‘We found it the best way to show the people around the Arab world how this regime deals with local and political issues,’ he added.

In another episode, al-Assad appears disguised, asking a wise man about the meaning of the Syrian revolution’s slogan, ‘The Syrian people will never accept oppression.’

‘My son, kings and presidents should know no matter what they do, if their people are unhappy with their rulings, they will pay one day and nothing, not even God, will protect them,’ the wise man tells Assad.

Most of the episodes take place in the ‘People’s Palace,’ the presidential headquarters where the real al-Assad lives.

The president usually seems worried in the episodes, mainly taking military advice from his brother Maher, who is always wearing army fatigues.

Maher al-Assad, who heads the fourth brigade, has been blamed for most of the crackdowns and the killings on the pro-democracy protesters.

The dialect used by the characters is in a heavy accent to remind that the Assad family – which has ruled Syria for 41 years – comes from the Alawite mountains overlooking the Mediterranean. That emphasizes that the Alawite minority – Shiites – rules a majority composed of Sunni Muslims. Website: http://www.YouTube.com/user/wikisham

source

Blog at WordPress.com.

Up ↑