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November 2012

Syria cleric Moaz al-Khatib to lead opposition

Moaz al-Khatib Moaz al-Khatib left Damascus for Cairo in July after periods of detention by the Syrian authorities

A leading Damascus cleric who fled Syria has been chosen at a meeting in Qatar to head a new coalition to oppose President Bashar al-Assad’s government.

Cleric Moaz al-Khatib, former Sunni Muslim imam of the Umayyad mosque in Damascus, is seen as a moderate.

Earlier, Syrian opposition groups agreed a deal to bring together their disparate factions.

The fractious opposition has been under pressure from the US and other backers in the region to clinch a deal.

Sheikh Moaz al-Khatib, who is 52, left Damascus for Cairo in July after several periods of detention by the Syrian authorities.

As he signed the draft agreement that formed the opposition coalition with Syrian National Council head George Sabra, Mr al-Khatib called on the international community to “fulfil its pledges”, the AFP news agency reported.

Last month he called for a political solution to save Syria from further destruction, arguing that negotiation would not “rescue the regime” but enable its departure with the least harm possible.

He had earlier attempted to bring the conflict to an end and in an interview with Reuters news agency in July said: “I want the Syrian people to remain as one hand.”

More than 36,000 people have been killed in the long-running uprising against President Bashar al-Assad’s government.

Continue reading the main story

Moaz al-Khatib

  • Born 1960
  • Son of long-standing imam of Damascus’s Grand Umayyad mosque
  • Studied applied geophysics
  • Imam of Grand Umayyad mosque
  • Detained by Syrian military intelligence
  • Fled Syria for Cairo in July 2012

Many thousands more have fled the country since the unrest began last year.

Earlier on Saturday the Israeli military said it had fired warning shots into Syria, after a mortar round from Syria hit an Israeli outpost in the occupied Golan Heights.

It was the first time the two sides have exchanged fire since the 1973 Middle East war.

‘Carefully balanced’

Ali Sadreddine al-Bayanouni, a Muslim Brotherhood delegate at the Qatar talks, said the new body would be called the National Coalition for Opposition Forces and the Syrian Revolution.

The group, formed after a week of talks in Doha, will have two vice-presidents – prominent dissident Riad Seif and leading secular activist Suhair al-Atassi.

BBC Beirut correspondent Jim Muir described the coalition’s leadership as a carefully balanced team that was set to become the face and voice of the Syrian opposition in the coming phase.

The Syrian National Council (SNC), which was formerly recognised as the main opposition, had been concerned it might be sidelined by the new opposition body.

One source at the meeting told Reuters that the SNC had agreed only under pressure and that it had been given a deadline of 10:00 (07:00 GMT) to sign up or risk being left out.

The new body had been proposed by Mr Seif with the backing of the US, which had signalled its frustration with the SNC.

“We signed an agreement to create [a] coalition of 60 members of the Syrian opposition,” he said.

Delegates said the body would carry representation for ethnic Kurds, Christians, Alawites and women. Of the 60 places, 22 will be reserved for the SNC.

Free Syrian Army fighters at Khan al-Assal, 10 Nov The Free Syrian Army was set to have a stronger role in the new opposition body

Bassem Said Ishak, of the SNC, said the Kurds required 48 hours to get the approval of their leadership.

The new body will also have a military council that will include the Free Syrian Army.

The BBC’s Jim Muir, who was in Doha as the talks began last week, says the backers of the new body hope it will boost the mainstream of the Syrian opposition and sideline any extremist elements.

Turkish Foreign Minister Ahmet Davutoglu, who was in Doha for the culmination of the talks, said there was “no excuse now” for the international community not to recognise the Syrian opposition.

Helicopter attack

Violence continued inside Syria on Sunday.

Opposition activists said government forces had attacked an area along the border with Turkey, after rebels had captured a crossing point.

The activists said helicopters and artillery units had bombarded the Ras al-Ain border area.

Clashes were also reported in Damascus, Albu Kamal near the Iraqi border, Irbin and in Deir Ezzor in the east.

Meanwhile, the Israeli military said the shell from Syria that hit a military post in the Israeli-occupied Golan Heights was stray fire from fighting between Syrian government forces and rebels.

Israeli PM Benjamin Netanyahu warned Israel was “ready for any development” on the border with Syria.

Israel and Syria are still technically at war, and a UN force patrols the buffer zone.

source

Notes from George Orwell on Writing and Revolution

As I first re-read George Orwell’s “Why I Write,” I thought I was just stopping by for the delightful sketch of an unhappy childhood (and the triumphalist idea that I, by riding on George Orwell’s coattails, had also bested my unhappy years).

But then I reached this passage:

 ”Every line of serious work that I have written since 1936 has been written, directly or indirectly, against totalitarianism and for democratic socialism, as I understand it. It seems to me nonsense, in a period like our own, to think that one can avoid writing of such subjects. Everyone writes of them in one guise or another. It is simply a question of which side one takes and what approach one follows. And the more one is conscious of one’s political bias, the more chance one has of acting politically without sacrificing one’s aesthetic and intellectual integrity.”

It is not unlike what (poet) Mahmoud Darwish has said about writing-while-Palestinian, that one “has to use the word to resist the military occupation, and has to resist – on behalf of the word – the danger of the banal and the repetitive. How can he achieve literary freedom in such slavish conditions? And how can he preserve the literariness of literature in such brutal times? The questions are difficult.”

In his essay, Orwell lays out four reasons why the human writes: (i) Sheer egoism, (ii) Aesthetic enthusiasm, (iii) Historical impulse, and (iv) Political purpose. If Orwell had lived in quieter times, he adds, he would have preferred to give free reign to the first three motives, purple prose and all. Of course, he did not — as we do not. Really, I have trouble imagining them: “quiet times.”

Orwell closes his essay…well, quietly:

 I cannot say with certainty which of my motives are the strongest, but I know which of them deserve to be followed. And looking back through my work, I see that it is invariably where I lacked a political purpose that I wrote lifeless books and was betrayed into purple passages, sentences without meaning, decorative adjectives and humbug generally.

This week, Nov. 13-15, Cairo University is hosting a “Creativity and Revolution” conference. If you’re going, well, it wouldn’t hurt to re-read Orwell’s essayIt probably also wouldn’t hurt to download the program.

New Syrian opposition debates key issues in Doha

[youtube http://youtu.be/7MAPMez4RKo?]

          Publiée le 10 nov. 2012 par

The Syrian National Council has agreed to join forces with other opposition groups at a meeting in Qatar.

But the international community’s refusal to provide weapons has been brought into question.

“We need weapons to defend ourselves. Why the regime can get weapons from Russia, from Iran, to kill people, and the victims can’t save their lives, can’t protect themselves,” new head of the SNC, George Sabra said.

Al Jazeera’s Hashem Ahelbarra reports from Doha.

Edward Hopper at the Grand Palais

‘The Nabati Poetry of the United Arab Emirates’ Takes BRISMES Award

This is old news, since the British Society for Middle Eastern Studies (BRISMES) book award ceremony took place on Halloween (October 31 for you non-revelers) but I only just saw it:

At the London ceremony, The Nabati Poetry of the United Arab Emirates (Ithaca Press) took the BRISMES runner-up award. There, co-author Professor Clive Holes said, according to Middle East Online:

“In western academe, Arabic popular poetry is a very under-researched area, even though it is a living, vibrant tradition, and one which provides unique insights into the lives and thoughts of ordinary Arabs on the affairs of the day, both domestic and international. Reading it provides confirmation, if confirmation were needed, of Ibn Khaldun’s famous dictum that the language of poetry need not be ‘classical’ in order to artful, eloquent and pithy. We hope that our English verse translations will convey something of the flavour of the original Arabic poems to an English-speaking audience.”

I have not read the anthology, co-edited by Clive Holes and Said Salman Abu Athera, although chunks of it are available on Amazon. The BRISMES judges said that it the collection’s translations “work fabulously in English, showing a range of style, technique, sensitivity to the tone and historical context of the original. The work with rhyme schemes is nothing short of astounding!”

For instance (I can’t make the spacing work in this new iteration of WordPress, but:

“Son, you’ve wasted what you’ve got
and if I’d wit what now I wot,

You’d not have sucked at my breast;
but breathed your last so you could not,

Beatle-like, have gone to pot!”

I must admit that, as I scan through, rhyme seems a very difficult thing to pull off in English, and feels wearying after a while. And the occasional xenophobia (“Indian types, not Arab men”; “No pure-bred son of decent kin / Should contemplate a foreign wife”) and calls to return to traditional gender roles don’t much appeal to me. But, according to a review in The National,
the collection is all in all successful. And:

If anything, the common thread in this collection is the ambivalence of feeling – admiration for the country’s rulers, satisfaction with the comforts and opportunities they have brought, but also wistful memories of simpler days, and unease about newfangled customs and features. The poets often keep us guessing whether their reflections are meant to be taken serious or with a conniving wink, while other poems simply remodel conventional themes.

The BRISMES runner-up prize, awarded for the best scholarly work on the Middle East, brings its co-winners £1,500.

Obamas Return to White House as Romneys Return to 1954

November 6, 2012

Posted by Andy Borowitz

borowitz-election-goes-obama.jpg

BOSTON (The Borowitz Report)—America cast its historic vote today, sending Barack and Michelle Obama back to the White House while sending Mitt and Ann Romney back to 1954.

The election meant the end of the road for Mr. Romney, who had been actively seeking the Presidency for the past sixty-five years.

Addressing supporters at the Boston Convention Center, Mr. Romney called his defeat tonight “bittersweet”: “On one hand, I lost the election. But on the other hand, I’ll never have to show anyone my taxes.”

If he had won tonight, Mr. Romney would have become the first man elected President after telling half of the country to screw themselves.

Vice-Presidential nominee Paul Ryan addressed the subject of his defeat in characteristic style, telling supporters that he had won.

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Bachar Mar-Khalife “Marea Negra” (directed by Wael Noureddine)

InFine Music

Music “Marea Negra” by Bachar Mar-Khalifé (bacharkhalife.com)
Video by Wael Noureddine / Original Text by Ibrahim Qashoush

Mr President, you lie, fuck your speech, freedom is knocking at the door, get lost!
Mr General, don’t show off, you’re facing imminent sentencing, go to hell with your army, get lost traitor!
Petty tyrant, agent of capitalism, don’t look down on the good people, get lost traitor!
Hey Mr minister, you’re going round in circles, you’ll pay with your blood, go to hell with your big-shot party, get lost traitor!
Prince, you can go to hell with those who salute you, no, I won’t kiss you anywhere, get lost traitor!
You can go to hell with those who salute you, my eyes will ignore you, get lost traitor!
Insignificant little Prince, agent of capitalism, don’t look down on the good people, get lost traitor!
Oh King, you can go to hell with those who salute you, I won’t kiss you anywhere, get lost traitor!

click on image

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